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After Yang
2022
Unpregnant
2020
Past Lives
2023
Hands of Bresson
2014
Linklater: On Cinema and Time
2013
May December
2023
Cha Cha Real Smooth
2022
Colombus
Kuyucaklı Yusuf
1985
Frances Ha
2012
Paterson
2016
After Yang(Movie)Unpregnant(Movie)Past Lives(Movie)Hands of Bresson(Movie)Linklater: On Cinema and Time(Movie)May December(Movie)Cha Cha Real Smooth(Movie)Colombus(Movie)Kuyucaklı Yusuf(Movie)Frances Ha(Movie)Paterson(Movie)
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quiet and gentle, the camerawork is masterful. with every still shots that frames the dialogue, the calculated placement of characters and props, it adds to the scene. mirror to mirror, it was genuinely a reflection of passion. a passionate young girl and a 30 year old korean translator, one who is passionate about architecture and one who doesn't. the respect they command to each other despite this is passion itself. superb film, peaceful and moving at the same time. read
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seeing these two interact with each other is something unexpected, but the dynamic between them is so interesting and fascinating. they helped each other so much and kept each other company without it being romantic in any way. they're the complete opposite, but they're really good for each other in every way possible. it's almost similar to mia and sebastian in la la land and jesse and celine in the before trilogy. i see so much of myself in casey. i'm passionate about certain things but never seem to set myself towards them because of the obstacles in my way. i'm also doubtful in a way that... read
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stunning cinematography, lovely plot, great performance from haley lu richardson. read
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@guzingurbuz rechallenge pick #7 i can feel the good intentions the director might have had while filming this. the meditative ozu-esque style with wide shots where the viewer is sometimes made to feel like peeking through the characters from the next room. but there are aspect that are clearly lacking finesse in execution, the most obvious one being acting. that's not to say that it's all bad, there were some ingenious moments where cinematography and sometimes directing really shined. read
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Esta película podría haber sido muchísimo mejor... Ami no me ha llegado. Supongo que era la intención del director, con esos planos perfectamente estáticos es muy difícil sentirte cercano a los personajes. No se, a lo mejor se me escapa algo, pero no le veo nada de bonito, ni de simbólico ni nada de eso... Es una pena... Tal vez soy yo, pero para mi el movimiento de cámara es la mitad de la peli. Entiendo que es una decisión (y una tendencia) del director, pero nosé, si conviertes al espectador en un mueble observador inmobil, que almenos lo observado sea interesante. En general me parece que... read
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my initial review my comfort movie. not from a sense of knowing what is gonna happen, but from a sense of a blanket being wrapped around you. the gorgeous cinematography, elegant conversationss and beautiful city of columbus (in) make this one of my favorites. definitely need to visit this city on a road trip across the country. can't wait to watch after yang!!! also watched while drunk lol. read
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never have i wanted to meet/know a fictional character so bad as her. this movie moves lightly. read
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It's appropriate that a film somewhat revolving around architecture is so beautiful. Haley Lu Richardson is already a master actress in my book, I thought she was fantastic in The Edge of Seventeen, and her small role in Split. I'm so happy that they didn't attempt to push the relationship between her and John Cho's character past the point of affection for one another as I think it would have cheapened what was built up throughout the film. read
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Linklater conversations diluted heavily with gorgeous camerawork in a slow subtle arthouse drama. read
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Man I really wished she just went at the first it was not her responsibility to take care of her mother like babe please think for your self read
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